![]() Thus if the BPMs of the tracks being mixed are not too far off (say, 1-2%), the songs will still go well together provided their keys are compatible. First, in order to shift a record’s key by just one semitone, you need to pitch it up or down by as much as 6%. Does that mean that if the tracks’ BPMs are different, then the information about their keys is useless? But changing the pitch also changes the key of the track (duh!) by making its notes higher when the pitch is increased and lower when it’s decreased. When beatmatching, you adjust the new track’s pitch to match its tempo to that of the old one. Click the “options” button and in the “general” tab, set the key format to “key code.”Īfter you’ve tried mixing harmonically for a few times, a natural question will arise. Example: 11B is compatible with 10B, 12B (adjacent numbers, same letter), 11A (same number, different letter), or 11B itself.Īnother tip: You can make Rapid Evolution display keys as Camelot numbers, too. This will allow you to find compatible keys without looking at the wheel itself. Tip: When marking your records for harmonic mixing, it’s better to use Camelot numbers (1A, 2A etc.) instead of actual keys like Am or F#m. This practically guarantees that the two records will go together well when mixed. Now it gets easy: You need to choose your next track so that its key is Fm, Gm, E♭, or Cm.
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